So now I'm thinking there is an amazing RomCom in this. Two Indian singles meet online, exchange photos, and plan to be each other's fake girlfriend/boyfriend for the holidays for the inquiring moms and aunties. After many hijinks, they actually meet and fall in love. The end.
And how about this: they each admit to their families, after the holidays are over, that the relationship was fake. Then, once the relationship blossoms, they have to explain to their families a few weeks later that it isn't fake any more, and now their families won't believe them! :P
OK, who is friends with Mindy Kaling? She would be the perfect producer/writer/director/star of this project!
We could write the script collaboratively. I've got a bit of a vicious knack with words and can do decent dialogue.
For some reason I think one of the aunts needs to be a bank robber. This would get us a big song and dance number within a bank and some bollywood physics during a getaway chase.
One of the aunts should be a baker specialising in super-extravagant wedding cakes, or maybe a high-end wedding caterer. There's a beautifully-shot dance scene with cooks and waiting staff swirling around each other in intricate patterns and culminating in a big pan out to the epic wedding she is cooking for. Probably one of the main characters works for her in some menial job in the evenings, so the aunt can pursue them round the kitchen berating and wheedling and the camera can follow them, weaving in and out of al the intense yet elegant cooking activity. And provides an excellent opportunity to move the story along in a "Look what a beautiful wedding you could have if you just got married!" dialogue-into-showbiz-number.
The hardest thing about making a movie like this would be presenting the family and its traditions as being legitimate and appropriate. It would be very, very easy to turn the families into caricatures and cater to various stereotypes. That's one of the things that "My Big, Fat, Greek Wedding" and "Bend It Like Beckham" didn't do. Those movies were phenomenally successful in part *because* they were able to find humor in various situations while still being respectful of the family's culture.
Simply mocking an entire culture and traditional perspective is not effective script-writing so we'd have to avoid the temptation to do that.
We could have one character, or perhaps two, be over the top like the caterer/wedding planner/cake-decorating auntie or the career criminal relative. But the family tradition (including at least some of the meddling) has to be presented as legitimate and the people doing it have to be mostly sympathetic. There are arguments in favor of having more than one perspective on a suitor.
I loved both of those films, and one which I think tried to do the same thing but didn't quite hit the mark was 'Bride and Prejudice'. Obviously it was based on an existing story, but there was something about it which was a bit laboured, despite a couple of excellent set pieces.
I had imagined the wedding caterer auntie would perhaps be the big glitzy opener which would immediately set up the "You should get married!" backstory and perhaps the main character would see/hear something or meet someone at the wedding which would precipitate the action of finding a fake fiance(e). It could, indeed, be the son/daughter of the wedding caterer auntie (hence why it is the biggest and bestest wedding in the world), and the cousin could confide something in the main character about either how much they wish they could just elope or about "Well, getting married is just what you do, isn't it?"
A scene that exaggerated has to be built up to, because otherwise it's just going to be a caricature of what's got to be a fairly offensive stereotype. I wouldn't open with it.
The only way to do a scene like that would be to introduce the family, caterer auntie and all, and humanize her first. After doing that, an overblown reception of some kind could be quite funny near the end of the first act. I'm imagining a scene shot from above, with a bunch of circular tables and a set of wait staff spinning, turning, and moving together like a bunch of tray-toting synchronized swimmers.
Excellent point! I tend to get carried away with my first, big idea. And I love a big, glitzy dance sequence (you described exactly what I was imagining!). My day job is visual arty stuff. Clearly the bits that will look good are the most important bits of the film and should therefore come first :)
Perhaps, then, the opening scene is the cousin announcing their engagement, or the female cousin talking about how she hopes her boyfriend is going to propose soon. And the precipitating event could be the main character being invited to their mega-wedding and not having a plus one, or saying "GoodFriend will be my plus one" and the cousin saying "Oh, but as you're not dating anyone we didn't think you'd want to bring one... I'm sorry, we're already at the venue max". Somehow, for hand-wavy backstory-makes-it-make-sense reasons, they decide to get a fake fiancé to bring as their plus one, but the first time they meet is the day of the cousin's wedding to end all weddings. Interesting to wonder whether it would make a better film for the family to love the new fiancé and be devastated when they "call off the engagement" or to dislike them and urge the main character to break up with them which leads the main character to carry on seeing them. I think the former would be more fun, but harder to work out a good ending.
Should we, er, start an Off Topic thread for this?! I'm loving it but am aware that some people may only be interested in relatives who just don't get it... But I'd love to carry on working it out!